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People’s Blues of Richmond Video Shoot, RVA | Music Photography

I was supposed to go home and pack for my jaunt across the country to transplant myself on the warmer coast for a few months… I’m supposed to do a lot of things. Sometimes I do… ¬†and sometimes I don’t. I couldn’t just continue on my way home and pack when I got the call letting me know that the first video shoot for People’s Blues of Richmond was happening in Richmond that night. I would go and stay for an hour. I could be strict about that. I could enforce that for myself. About 15 minutes after arriving, I knew that I wasn’t going to be leaving in an hour to start packing, shit was happening, shit was about to happen and well, shit is far more important than packing ‘stuff.’ ¬†Stuff can be replaced, shit happening can’t.

& shit is happening with People’s Blues of Richmond. They have signed with Madison House and word of their prowess is quickly spreading. & it is rightfully deserved. ¬†This band. ¬†THIS band. ¬†Seriously. ¬†Damn. ¬†They ARE my favorite. I have my favorite bands…there is a long list, duh. Lots of bands that I love. But this band. PBR has that it, when the music, the performance, the players, the determination and the drive come together to create something truly electric. They are the band that feeds my obsession for music photography.

They grabbed me the very first time that I saw them play at a packed The Camel years ago in Richmond, VA. Their show is gritty. Their show is raw. Their show is dangerous. Watching a PBR show is a pulse racing, elevating experience because you never know when something is going to explode, cuz something IS going to explode but you don’t know when they are going to catapult over the safety line of life. They start every show with a¬†climax and have somehow found a way to sustain the fervor and excitement with which they play till the very last note. Till beyond the very last note. Fucking love this band.


get ready to feel the power of ‘gone gone gone’ from PBR directed by Julian Ashbee¬†of Barking Iron, visuals by Dustin Klein¬†of VIDEOmetry, and lighting by Alex McArthur of McArthur Lighting.

<p><a href=”″>PBR Gone Gone Gone</a> from <a href=”″>Barking Iron</a> on <a href=””>Vimeo</a&gt;.</p>

and I ended up staying way later and packed my car in 45 minutes with what I thought I would need in California. ¬†Turns out I didn’t do that great a job with packing as I somehow forgot that I would need stuff like clothing for a west coast winter. All was okay as my camera and computer made it along with my Forever Lazy. Gone Gone Gone was a night not to be missed.

Forever Lazy

The Young Dubliners | House of Blues, LA | Music Photography

I was ridiculously excited as I headed to The House of Blues, Sunset Strip the other week. It was going to be my first time making images at the legendary HOB (as well as being one of the last times as their doors are closing.) That thrill was small compared to the joy I felt getting to watch the boys of The Young Dubliners rock in front of my lens again. The last time our paths crossed was back in 2011 at¬†a bar called Mexicali’s in NJ. ¬†It had been ages and I couldn’t wait to hug everyone again.
My excitement was already at the max when I found out Eric Rigler would also be joining them.  Eric Fucking Rigler.  He is the badass of all badass pipers. You know who he is, well, you know his Uilleann pipes anyways. Titanic, Braveheart, etc etc..if there are Uileann pipes being played, it is probably him. I cannot even remember the last time I got to see his magic.
The show was fucking awesome. The guys rocked like they always do and the crowd ate up every moment. I LOVED the venue and I hate money since that is the reason they are closing the amazing space, seriously?!?! why would anyone want to live in condo’s on what used to be the HOB’s?? ¬†Isn’t Sunset Strip cool >because< of the landmark spots? ¬†Why people gotta destroy awesome?? ¬†but i digress, this night was awesome. ¬†Great music, great crowd, great reunions *Erica n Gretchen*, great space, great guys.
Fantastic night!!!!

Wild the Coyote | The Viper Room, LA | Music Photography

When I edit images from a show, I like to have the band’s music playing, especially if it is a new to me band!¬† It is interesting to hear the studio sound¬†right after seeing them¬†live.

The other night I got to catch the last few songs of Wild the Coyote before The Gabrielz took the stage at The Viper Room. I enjoyed their set. It was loud, it was rocking. Energetic drummers are my absolute favorite to create images of and Wild the Coyote’s drummer ecstatically and ferociously pounded away on his drums. The guys delivered a solid set of¬†alternative rock sliding towards the rock side on that seesaw in the live show.

Their studio recordings seesawed in the other direction, heavier on the alternative side. The songs sound like that song, you know the one, the song you find yourself singing along to while listening to the radio on an afternoon drive without knowing how you know the lyrics. ¬†Several, I thought I knew already, maybe I caught that song at the show? ¬†No, but seriously, I feel like I know the song that just started playing in this moment that I am typing….¬†“Everybody Knows.” (and no it is not a cover of Leonard Cohen;¬†but I must go listen to that¬†song¬†right now). ¬†Wild the Coyote’s¬†studio work has an air of familiarity about it¬†though I prefer¬†the harder sound of their live show.

(what can i say? the dirtier the guitar, the rougher the bass, the harder the drums, the more i like… any wonder that People’s Blues of Richmond is tops for me – their cd has been on permanent repeat in my car for months)

Thanks for the night of music, Wild the Coyote, I’m happy that I was able to catch a bit of your set. Y’all got the energy pumping at The Viper Room and you have made me miss my chain wallet ¬†ūüėõ

The Gabrielz | The Viper Room, LA | Music Photography

Back in April, a friend invited me to join her for a show at The Viper Room. ¬†She had won tickets and knows my adoration of music and asked if I wanted to join her. ¬†Heck yeah! ¬†Ended up that … Continue reading

Moon over Agoura


I love the hours between dusk and dawn.  Sunsets, Sunrises.  Those mysterious colors that happen before in the hour leading up to the explosions of colors.  And the dark.  The dark when the only light is from the moon or a sliver of the moon.  Stars.  The hours between dusk and dawn are some of my favorite for my personal photography.
The other night there was a half moon peeking through a cloudy dark night.

Scott Land The Puppet Man in LA


Team America wins on many levels, and the sex scene is one of the best in any movie!

Lots of things happen with ‘movie magic,’ they can pretty much do anything in post nowadays, but that movie magic happened because of sheer awesome talent. See, those are marionettes worked by the fabulous Scott Land. He manipulated every nuance of that loving and I was in awe of him before I had the pleasure of knowing him.

Fast forward a lot of years and I was introduced to him through a mutual friend and then I found myself crouching in the wings of a theater making images of him working his magic on Michael Jackson, Obama and (my favorite) a chicken.  Yes, a chicken, a regular grocery store chicken!!! Scott said the chickens always move better on the 3rd day but that they get pretty stinky by the fourth. Scott and his wife, Lisa, are one heck of a talented team (and awesome people) Рthey make and paint the puppets that are used for his shows and by lots of other puppeteers around the world. Their work is incredible РScott Land Marionettes!!

The show was mindblowing. ¬†Seriously, how does he do all that. Not only do the puppets move with intention and grace, they have the right expression for each of the moves. Michael Jackson feels it when he goes down on one knee and Obama gives a knowing glance at the audience and you don’t feel like you are looking at puppets anymore. Magic.

If you ever get the opportunity to experience Scott Land’s show, I highly recommend you take it. You will be blown away!!!

ThatWasThen and The New Peter Gabrielz | The Viper Room, LA | Music Photography

ThatWasThen was furiously rocking as I walked up the stairs at The Viper Room and I was stoked to hear loud¬†genuine¬†rock fill the room. ThatWasThen’s dirty guitars and soulful harmony provide¬†an¬†earnest¬†fusion of modern and¬†vintage rock in an electric live show. … Continue reading

A.R.T./New York 2015 Spring Benefit | Event Photography

I look forward to the A.R.T./NY gala every year. The evening is full of wonderfully talented and passionate people. A.R.T/NY works tirelessly as¬†a supporter of NYC’s non for profit theatres. They do everything to ensure that Off Broadway always exists and that performers, directors, designers have places to create and work their craft. A.R.T./NY awards grants for funding, provide rehearsal spaces, ¬†and help the emerging voices in theatre.
This year, they honored Lisa Cleff Kurtz and Pam MacKinnon, two very influential women who have dedicated their lives to excellence in theatre.
Lisa received the 2015 Honoree of the Kathy and Howard J. Aibel Award for her philanthropic efforts on behalf of A.R.T./NY. Lisa Cleff Kurtz has worked all sides in the theatre world as an actor, dancer, writer, casting, producer and investor. She ensures that the talent of the theatre continues by her tireless efforts and her sparkling and engaging personality make her loved by all.
The 2015 Honoree of The Abe L. Blinder award was presented to director, Pam MacKinnon for her work in the nonprofit theatre field. Her successes on Broadway with “Who’s Afraid of Virginia Woolf?” and “Heidi Chronicales” (among many others) have never kept her away from the non profit Off Broadway theatres. We all¬†hung on her every word as she gave a passionate talk on the importance of these small non for profit theatres that are¬†giving artists¬†the opportunities to become great! I could only imagine how captivating she is as a director.
The evening was hosted by Christine Lahti with awesome performances from CAP21 sprinkled throughout the evening.